This month, I talk to Gerald von Stoddard, a comic book writer, artist, creator from the Hudson Valley who splits his time between Tivoli, NY and Florence, Italy. He has his own creator owned self published comic, Immortal Coil, as well as illustrating interior and cover art for comic creators all over the world.
why you shouldn't be afraid of the "F"-word (no, not that one)
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This month, I talk to Amrit Birdi, a Times Bestselling illustrator and Art Director based in London, probably best known for illustrating Anthony Horowitz's Alex Rider graphic novel series, Joe Sugg's Username:Evie trilogy and Assassins Creed cover art. Day-to-day, he is an Art Director at AmCo Studio, where he produces and deliver illustration & animation work to clients such as Disney, Netflix, Adobe, Prime Video, Ubisoft, Penguin RH, Walker Books, Hachette, Adidas, Titan Comics, Bandai Namco & many more.
What to do after a difficult project (hint: don't give up)
How ComixLaunch helped Amrit overfund his first solo Kickstarter
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This month, I talk to Ryan Claytor, a Cartoonist and Professor at Michigan State University where he teaches Comics Studio courses and spearheaded the development of the interdisciplinary Comics Minor. Claytor's achievements in cartooning have included six Small Press and Alternative Comics Expo Prizes and two nominations for the Ringo Comic Industry Award.
The importance of starting small
How a little old-school show business can be good for your business--and your peace of mind
Why Ryan joined ComixLaunch even after he found success on the platform
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This month, I talk to Craig Taillefer, a two-times Harvey Award Nominated Cartoonist with 25 years of professional experience working in Comic Books and TV animation.His comic credits include the creator owned WAHOO MORRIS as well as inking and illustration for ELFQUEST comics, and inking BOOKS OF MAGIC, REFRIGERATOR FULL OF HEADS, and DEAD BOY DETECTIVES for DC COMICS. Craig is passionate about comic books, hammocks, and lives an alternate night life as a gigging professional rockabilly and blues singer and guitar slinger.
Why community is invaluable to your growth as a creator
The advantages and disadvantages of a short campaign
How much runway you need to warm up a cold audience
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This month, I talk to Matthew Schofield, an animator, storyboard artist and director who has worked on films such as Cats Don't Dance, Prince of Egypt and The Iron Giant. He's been working on the history-making animated TV show The Simpsons for over 20 years and is currently the Supervising Storyboard Director on the show. An avid, lifelong comic book reader, in 2017 he began writing and drawing his own superhero comedy webcomic, Steamroller Man!
How ComixLaunch Pro helped Matthew prep his first launch
Why he believes in giving away his work for free
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This month, I talk to Will Allred, a writer, professor, and technologist. He created Crossover Division and Diary of Night and contributed to the Eisner-nominated Comics through Time and multiple other academic books on comics. Will received his Ph.D. in English from the University of Arkansas and is a longtime member of the nonprofit Grand Comics Database Project, having served for several years on its Board of Directors. Will is an avid reader and is a lifelong fan of the comics medium. He also enjoys teaching and spending time with his wife and twin sons.
How ComixLaunch Pro helped Will find his creative team
Why having a community of like-minded creators can help your business grow
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This month, I talk to Brian J. Lambert, an award-winning author and creator of Justice. He has worked both writer and editor on numerous indie projects, including Unlikely Heroes Studios' The Sundering, Greg Anderson Elysee's Is'nana The Were-Spider, Danny J. Quick and 4th Wall Productions' Aceblade, Concept Moon Studios' After Image, written by Robert Jeffrey, and the indie-crossover events, Nightfall and the upcoming Epiphany Engine. Brian's early influences include Todd MacFarlane, Dan Jurgens, Mark Waid, and Dwayne McDuffie. His latest campaign, for Air Force Ones, raised north of $13,000 on Kickstarter.
How ComixLaunch Pro helped him up his crowdfunding game
Why you need a marketing budget
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This month, I talk to Jack Harris Jr, the creator and author of Terminus Veil, which is produced by his company, Clash Digital Publishing. Clash was founded on three key principles, which are high quality artwork, diverse characters from different backgrounds, and explosive, thrilling action.
Terminus Veil delivered all of the above--plus $16k in funding for the first-time creator.
When it comes to your mailing list, quality definitely beats quantity
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Instagram: @terminusveil
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This month, I talk to Ted Sikora, a Cleveland/Akron based comic book writer and filmmaker. He is the president of Hero Tomorrow Comics, and the creator/writer/letterer of Tap Dance Killer, Punchline & the Vaude-Villains, Bloom, and creator/co-writer/colorist/letterer of Apama The Undiscovered Animal.
As a filmmaker he directed and co-produced the dark comedy indie feature Hero Tomorrow, and the feature doc Move On! Ted has directed hundreds of shorts in realms of documentary, music videos, and education.
He also wrote the libretto, principle music and lyrics for the horror show musical Nothing Like Vaudeville.
How ComixLaunch helped him work smarter, not harder
Why it's important to stay on top of what's working on Kickstarter RIGHT NOW
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This month, I talk to Alton Simpson, a writer, director, actor, editor, composer, producer, and media creator who started making short films in 2004 with his company 3 Heads Productions. He’s produced commercials that have run on Comcast as well as short films for the Philadelphia and New York City 48 Hour Film Festival. In 2010, he wrote, produced, and scored his first full length film which played in the Philadelphia Independent Film Festival, and now his films can be seen on Amazon Prime. His music has been used in commercials for Youtube Content and Comcast TV Commercials and has been streamed over 1 million times. He writes the ongoing comic and graphic novel “Vampires of New Jersey” as well as the shared universe titles Blackjack, Werewolves of Brooklyn, Witches of Westchester and Bunny Goes to Space. Over ten campaigns, Alton has raised over $150,000 in crowdfunding.